
Bangkeiros
2026
Practice
Painting · Performance
Based
Paris & Manila
Resident
59 Rivoli, since 2009
002 — The Performance
Henri paints live during capoeira performances. The canvas holds what the body does: sweat, rhythm, colour all at once. Each painting is unique. Each performance irrepeatable.
From Paris street corners to workshops with children in Manila, the performance was always more than painting.
Discover the performances003 — The Artist

Henri Lamy’s work is a high-energy dialogue between classical precision and spiritual essence. Rooted in figurative discipline and digital design, his practice deconstructs the "accurate" image to reveal the life force beneath. This evolution is defined by movement and animism. By merging Capoeira with his painting process, Lamy transforms the canvas into an arena, using a palette knife to leave a rhythmic, physical residue of the ritual. His immersion in the indigenous culture of Puerto Galera, Philippines, further informs this worldview, treating every form as a distinct spiritual entity. In his latest works, sharp clarity dissolves into abstract, "hatchy" passages. Balancing Impressionist light with the raw spontaneity of his sketches, Lamy creates portraits that are less about likeness and more about the living encounter—a vibrant fusion of graphic character and wandering spirit.
Together they founded Taverne Gutenberg in Lyon (2015), a creative hub that welcomed over 40,000 visitors and 400 artists, and later Les Halles du Faubourg — a 1,600 m² former factory turned cultural space. His work is held in international collections and he has painted official portraits of Jeremy Meeks, Ky-Mani Marley, José González, and Jimmy Cliff.
Born
1985, Lyon
Resident
59 Rivoli
Medium
Acrylic · Oil · Mixed
Languages
009 — Acquire a Work
Each painting comes out of a performance. You can feel it in the object. Works are available by inquiry. No cart, no checkout. Just a conversation with Henri about the piece and where it came from.
FR · EN
004 — The Community
Gallery
In 2014, Henri Lamy opened Taverne Gutenberg in Paris's 15th arrondissement as both a gallery and a place to actually gather. It was imagined as the opposite of the distant white-cube experience: somewhere you could walk into without ceremony, sit down, and feel part of what was happening. The name says it plainly. A tavern is a place where strangers end up at the same table and conversation starts on its own. Over more than a decade, Taverne Gutenberg has hosted more than thirty exhibitions and welcomed forty thousand visitors. Four hundred artists have shown work there, from young graduates to established names Henri deeply respects. Painting, photography, sculpture, and performance all meet there, sometimes in the same night. Entry is always free.
Paris, France
Residency
Ugnayan sa Poblacion is the Philippine expression of the Taverne Gutenberg spirit: open, social, and rooted in real exchange. Launched in 2017 by Henri Lamy and Maïa d'Aboville with Z Hostel, the residency marked the 70th anniversary of diplomatic relations between France and the Philippines. Its name says everything. "Ugnayan" is a Tagalog word for connection, and that is exactly what the project tries to create: bridges between people, neighborhoods, cultures, and ways of living through art.
Manila, Philippines
005 — The Endeavors
NGO
Backed by the Enrique Zobel Foundation's commitment to education and social development, this workshop became much more than an art class. It gave young people a place to test their own creative force and feel the freedom of making something with their whole bodies. For Henri and the Taverne Gutenberg team, watching the students of Calatagan turn a blank surface into an explosion of color was a clear reminder of why Ugnayan matters. Art has its strongest impact when it is open, physical, and truly shared.
Makati, Philippines
006 — The People We Build With
with supporting partners below
Collaborations
Pinto Art Museum
Fitz Contemporary
Stairway Foundation
Z Hostel
ILOMOCA
Leon Gallery

NGO
Working with the Stairway team, led by Lars Jorgensen and Monica Ray, has shown me again and again that art is not a side activity. It can be real psychosocial support. In these workshops, there is no judgment and no single right way to paint. Every portrait and every burst of color becomes a small act of resilience. The most important moment is not the finished image, but the second a child realizes they can make something beautiful from their own point of view. That is where the Taverne Gutenberg idea of common ground feels most real: as a path toward recovery, growth, and hope.
Puerto Galera, Philippines
008 — Press
Redefining value and visibility, Henri Lamy is making a highly anticipated return to the Philippine art scene with a solo exhibition opening on March 20 at the Iloilo Museum of Contemporary Art (ILOMOCA)
His Maharlika series restores something we rarely see in European art about the Philippines — dignity. These are not postcards. They are declarations.
Henri Lamy makes paintings that remember how they were made. You can feel the body in every mark — the speed, the weight, the risk.